Old Love Story in India

I have founded some nice love story in India.I am giving detail it here.

If you want to give advice'please don't hesitate..If you have the great love story,you have seen or experienced..please share with us..I will update it immediately..

So firstly enjoy the best love stories..

---

Laila and Majnu

Love is known to be an overwhelming, all-consuming, intense passion. But just how intense can love be? No one knows the answer, and examples of such a love are rare. But whenever one talks about the depth of love, the intensity of passion, two names almost immediately come to mind- Laila and Majnu.

The love story of Laila and Majnu is a very famous one and is no less than a legend. Even today, people know them as Laila Majnu; the "and" in between is missing. They were two in flesh, but one in spirit. It is based on the real story of a young man called Qays ibn al-Mullawah from the northern Arabian Peninsula, in the Umayyad era during the 7th century. The love story of "Laila and Majnu" is an eternal one albeit a tragic one.

Laila was a beautiful girl born in a rich family. Being no less than a princess, she was expected to marry a wealthy boy and live in grandeur and splendor. But love is born from the heart; it knows no rules. Laila fell in love with Qays and he too loved her dearly. Qays was a poet and belonged to the same tribe as Laila. He composed splendid love poems and dedicated them to his lady-love, telling in them his love for her and mentioning her name often. Qays' friends knew about his affair with Laila and they often teased and made fun of his love. But such taunts had no effect on Qays. He was deeply in love with Laila and it was her thoughts alone that possesed his mind for all time.

It had been for quite sometime that Qays toyed with the idea of seeking Laila's hand in marriage from her parents. One day, he went up to them and put the big question before them.

But Qays was a poor lad. And when he asked for Laila's hand in marriage, her father promptly refused him as he didn't want her daughter to marry below her status. It would mean a scandal for Laila according to Arab traditions.

As fate would have it, the two lovers were banished from seeing each other. Soon after, Laila's parents married her off to a wealthy man and she went on to live in a big mansion.

When Qays heard of her marriage he was heartbroken. He fled the tribe camp and wandered in the surrounding desert. His family eventually gave up on his return and left food for him in the wilderrness. He could sometimes be seen reciting poetry to himself or writing Laila's name in the sand with a stick. Day and night, he pined for her.

Laila was no better. Seperated from Qays, she was shattered in mind, body and spirit. Not long afterwards, in 688 AD, she moved to Iraq with her husband, where she fell ill and died eventually.

When Qays' friends came to know about Laila's death, they went looking for him all over to give him the news. But they could not find him.

Not much later, , their search for him came to an end. Qays was found dead in the wilderness near Laila's grave. On a rock near the grave, he had carved three verses of poetry, which are the last three verses ascribed to him.

Qays went mad for his love; for this reason he came to be called "Majnu", or "Majnun Layla", which means "Driven mad by Layla".

Such a love is hard to find today. So if ever you love someone, try to love like these two did. Even today, lovers swear by their name. It is their love affair that has made Laila and Majnu immortal in the accounts of great love stories.

---

Salim and Anarkali

The love story of Salim and Anarkali is a story that every lover knows. The Mughal prince Salim falling for a courtesan Anarkali is the stuff that legends are made of. The relationship of Salim and Anarkali outraged the Mughal emperor Akbar so much that both father and son decided to go on war.

According to legend, Salim, the son of the great Mughal emperor Akbar, fell in love with a beautiful courtesan named Anarkali as a young prince. Anarkali, whose title means "pomegranate blossom" (a title bestowed for her beauty) was famed for her dancing skills as well as her great beauty. It is believed that her original name was Nadira or Sharf-un-Nisa.He was mesmerized by her beauty and fell in love as soon as he saw her. But Anarkali was a
mere dancing girl, and dancing girls were not of noble birth. They were considered to be low-born and keeping any relation with them were looed dow and strictly prohibited by the society. Anarkali knew that their romance was forbidden in the eyes of the prince's father, Mughal Emperor Akbar. So she tried to keep away from Salim. But how could she hold herself back from the prince's charms for long? Love knows no rules, and soon Anarkali too was deeply in love with Salim.

But such an intense love can't be concealed forever. The emperor could not digest the fact that his son was in love with an ordinary courtesan. He started pressurizing Anarkali and devised all sorts of tactics to make her fall in the eyes of the young, love smitten prince. When Salim came to know of this, he declared a war against his own father. But the mighty emperor's gigantic army proves too much for the young prince to handle. He gets defeated and is sentenced to death.

This is when Anarkali intervenes and renounces her love to save her beloved from the jaws of death. She is entombed alive in a brick wall right in front of her lover's eyes. It is, however, said that she did not die. The tomb was constructed on the opening of a secret tunnel unknown to Salim. It is said she escaped through that tunnel and fled the place, never to return again. The heartbroken Salim lives on to become emperor Jahangir.

But he could never forget his one true love Anarkali, in his lifetime. When he died, her name was on his lips.

Thus ends the tragic love story of Salim and Anarkali. Even today, these two lovers are remembered by people and held in esteem by lovers all over; such exemplary their love was.

---

Shakuntala and Dushyant

The legend of the exquisitely beautiful Shakuntala and the mighty king Dushyant is a thrilling love story from the epic Mahabharata, which the great ancient poet Kalidasa retold in his immortal play 'Abhijnanashakuntalam'.

While on a hunting trip, King Dushyant of the Puru dynasty meets the hermit-girl Shakuntala. They fall in love with each other at first sight and, in the absence of her father, Shakuntala weds the king in a ceremony of 'Ghandharva'-a form of marriage by mutual consent with mother Nature as the witness. When the time comes for Dushyant to return to his palace, he promises to send an envoy to escort her to his castle.As a fond remembrance he gives her a signet ring.

One day when hermit Durvasa stops at her hut for hospitality, Shakuntala, lost in her love thoughts, fails to hear his calls.The temperamental sage turns back and curses her: "He whose thoughts have engrossed you would not remember you anymore." On the plea of her companions, the enraged sage relents and adds a condition to his curse-statement: "He can only recall you upon producing some significant souvenir."

Days roll by and nobody from the palace comes to fetch her. Her father sends her to the royal court for their reunion, as she was pregnant with Dushyant's child. While travelling, Shakuntala's signet-ring accidentally drops into the river and gets lost.

When Shakuntala presents herself before the king, Dushyant, under the spell of the curse, fails to acknowledge her as his wife. Heart-broken, she pleads to the gods for help. The spell is broken when a fisherman finds the signet ring in the stomach of a fish - the same ring that Shakuntala had lost on her way to the court. The king suffers from an intense feeling of guilt and injustice. Shakuntala forgives Dushyant and they are reunited happily. She gives birth to a male child. He is called Bharat, after whom India gets her name.

---

Radha and Krishna

The Radha-Krishna amour is a love legend of all times. It's indeed hard to miss the many legends and paintings illustrating the Radha-Krishna affair is the most memorable. Krishna's relationship with Radha, his favorite among the 'gopis' (cow-herding maidens), has served as a model for male and female love in a variety of art forms, and since the sixteenth century appears prominently as a motif in North Indian paintings. The allegorical love of Radha has found expression in some great Bengali poetical works of Govinda Das, Chaitanya Mahaprabhu, and Jayadeva the author of Geet Govinda.

Krishna's youthful dalliances with the 'gopis' are interpreted as symbolic of the loving interplay between God and the human soul. Radha's utterly rapturous love for Krishna and their relationship is often interpreted as the quest for union with the divine. This kind of love is of the highest form of devotion in Vaishnavism, and is symbolically represented as the bond between the wife and husband or beloved and lover.

Radha, daughter of Vrishabhanu, was Krishna's lover during that period of his life when he lived among the cowherds of Vrindavan. Since childhood they were close to each other - they played, they danced, they fought, they grew up together and wanted to be together forever, but the world pulled them apart. He departed to safeguard the virtues of truth, and she waited for him. He vanquished his enemies, became the king, and came to be worshipped as a lord of the universe. She waited for him. He married Rukmini and Satyabhama, raised a family, fought the great war of Ayodhya, and she still waited. So great was Radha's love for Krishna that even today her name is uttered whenever Krishna is refered to, and Krishna worship is though to be incomplete without the deification of Radha.

One day the two most talked about lovers come together for a final single meeting. Suradasa in his Radha-Krishna lyrics relates the various amorous delights of the union of Radha and Krishna in this ceremonious 'Gandharva' form of their wedding in front of five hundred and sixty million people of Vraj and all the gods and goddesses of heaven. The sage Vyasa refers to this as the 'Rasa'. Age after age, this evergreen love theme has engrossed poets, painters, musicians and all Krishna devotees alike.